I'm an LA-based set designer and a member of the Art Directors Guild. I've always been drawn to the relationship between the built environment and the people who inhabit it, on and off camera. I've worked across film and television, contributing to the visual worlds of projects including The Night Agent S4, Beef S1 & 2, Frisco King S1, Bullet Train, and the Quantum Leap reboot. With an education in architecture and film production design, I bring sets from initial concept through construction, balancing big-picture ideas with the small details that make a space feel authentic. My approach combines research, space planning and creative problem-solving with a hands-on understanding of building materials and the realities of construction. Whether designing a fictional world on stage or a real space on location, I'll work hard to create environments that feel intentionally and distinctly their own.

 

I like keeping projects organized, communication clear and the creative process collaborative. I'm proactive about anticipating challenges and working through solutions. I like to keep things moving without losing sight of the little details. I believe good design is as much about how you work with people as what you ultimately create together.

 

Damn, I've got the coolest job in the world